But u got to put it before the Tessa goes downs it works I did it in a real battel
Guernica by Pablo Picasso
In 1937, Pablo Picasso painted Guernica, oil on canvas. The Republican Spanish government commissioned the mural for the 1937 World Fair in Paris. Guernica is a large mural, twenty-six feet wide and eleven feet tall, and was placed at the entrance to Spain’s pavilion. Picasso did not do any work after receiving the commission until reading of the bombing of the Basque village of Guernica, in Spain. It was that attack, perpetrated by the German Luftwaffe, that inspired him. Guernica, however, is not a complete depiction of that event. In Guernica, Picasso masterfully conveys the suffering of the Basque people and the tragedy of war. He seeks not to report on every detail of the bombing, but only to highlight the suffering by all.
On first viewing Picasso’s Guernica, one initially focuses on the center of the mural. Many lines cross or meet near the middle of the work. There are two major diagonal lines crossing Guernica. They start at the two bottom corners and meet toward the middle-top where the vertex is an oil lamp. These main diagonals are not explicitly defined, but are created with overlapping, dark and light values, and the subjects themselves. For example, towards the bottom right a there is woman picking herself up whose head, neck, and arm point along one of the main diagonals. That diagonal is continued in the background by a contrast between light and dark shapes. These lines frame the middle of the mural, which is further highlighted by some of the lightest values within the work. This area contains a large geometric shape of pure white as part of the background. This light color draws the eye to the center. However, the eye is also drawn to this area because of contrast in light and dark. The black, rectangular shape near the horse’s neck, they gray of the newsprint, and the white of the background all overlap in a tangled, chaotic manor that attracts attention.
Although the initial focus is near the center of the mural, Guernica commands a larger movement of the eye from bottom right to top left. Each subject of Picasso’s work has their head turned towards the top left corner. The floating head is looking left, the horse twists his neck to look to the left, and the woman holding her child looks directly upward. The strong diagonal line that moves from bottom right to top left also adds to th...
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...nd disturb its viewers.” Certainly, Picasso’s Guernica is fundamentally a historical account, a vivid depiction of a singular event. But, the underlying theme of Guernica is also clear; all war is an injustice to mankind and despite the fact that mankind will overcome and reunite, war is the worst tragedy to fall on anyone.
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`Michael C. Thompson 12 Dec. 2004. http:///treasuresoftheworld/guernica
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2004. Tennessee Tribune. 18 Nov. 1999: Vol. 9, No. 46.
Martin, Russell. Picasso’s War New York: Dutton, 2002.
Somers, Tiffany, An Epic of a Painting. The Principio Project At the Peddie School. 12
Dec. 2004. http:///mocl/picasso/study/
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But each day Dawn and Karen could see the containment vehicles that arrived to siphon off the thick black leachate seeping from the burning refuse into the ground. The vehicles took the leachate to be treated off-site before it was dumped into the sewer or the river, which supplies the water they drink.
o well not long left of university, i have finished the database technology course work jus got a bit left on my dissertation